First Light |
First Light, detail 1 |
The telescope in my quilt is made of hand stitched gold silk hexagons, with a gray silk depiction of the sun shield. The telescope and shield were engineered to fold up in order to fit in the rocket for launching, and once deployed it will slowly unfold and get set up for observation.
The gold coating on the beryllium mirrors is a stunning example of form following function.
First Light, detail 3 |
The telescope will use infrared to see farther, and further back in time, than is currently possible, so I was able to freely visualize the type of imagery that will be transmitted back to earth once it begins its missions.
First Light, detail 4 |
The background on the quilt is made of black silk noil, which has the combination of sheen and deep intensity I felt worked well to evoke the darkness of space. The vignette panels are wool, silk, and mylar fibers, needlefelted and then heavily stitched and hand-beaded with glass beads and semi-precious stones so that they glitter and gleam.
First Light, detail 5 |
The telescope and vignettes are surrounded by handstitched hexagon shapes. I spent a lot of my pandemic anxiety obsessively stitching hexagon "flowers" in three different colorways and two different sizes, which I then auditioned on the background before joining them into the large panels for the quilts.
After the hexagons are all painstaking joined, it's time for the fast and fun paper removal process.
I've been obsessed with hexagons ever since working on my first JWST quilt, Luminosity.
First Light is 40" square; I'm posing with it here to give you a sense of scale.
So what lies ahead for the artwork? The excitement will continue, as the artists involved in the original project are planning a virtual reality gallery, with scheduled tours and artists talks. I've played around the beta gallery, and it's really quite wonderful. I will update with dates and times, etc., in the new year as plans become available.
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