I souped the film for about 24 hours in diluted lime juice, then let it dry out for several weeks.
As with my wet cyanotype work, I absolutely love the unpredictability of the process, and the way the resulting images challenge my preconceived notions about what the world looks like.
A pink bridge, with green clouds? I'm mesmerized.
There was a light glaze of ice along some of the shadier sections.
And I never tire of this view, looking towards the bridges in Columbia.
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