Interview in Inspirational Magazine

 

Heat Index

I was somehow remiss in getting this announcement up on my blog (I did do social media), but I wanted to be sure and include it because I am still so excited to be featured! Many thanks to editor John Hopper. 

INSPIRATIONAL art magazine's April issue - is now on sale.

Welcome to issue 60, the April issue of the contemporary arts magazine Inspirational.

In this issue we have interviews with contemporary artists: US based fine art painter Dan Oliver; US based fine art painter Ed Grant; India based multidiscipline artist Dimple B Shah; US based textile artist Sue Reno.

We also have featured artwork by: India based multidiscipline artist Roopa Kangovi; US based fine artist Betsy Kenyon; India based fine artist Hrusikesh Biswal.

As always, Inspirational is packed with the words, the voices, and full page, full colour representations of all featured artists work.

Featured artist is Sue Reno.

To buy a copy of this month's April issue, straight to your inbox, just follow the link: https://payhip.com/b/e2pYJ

Inspirational - supporting working artists across the world.

Experiments in wet cyanotype - part 74

 

After a long, wet, and dreary winter and early spring, the weather finally turned and I had the motivation and the time to do a few wet cyanotype prints. (I clocked a lot of time during the dreary days at the machine, stitching on new quilts, with results to follow later.)

A quick tour around the garden and woods turned up some vibrant burdock leaves, a sprig of bleeding heart leaves, and a fresh fern frond. I set these up with the mixture of cyanotype chemicals, plus a small squirt of Solarfast solar dye, on mineral paper, my current favorite non-fabric substrate.

Out they went into the bright spring sunlight. I also prepped a cotton sateen panel with more bleeding heart leaves and a Kousa dogwood twig. None of this was carefully thought through, I just wanted get back into practice at summoning up that old wet cyan magic.

After exposure but before rinsing, it was looking like I still had the touch. There's so much going on with the burdock leaves!

Along with lots of cool swirly stuff with the bleeding heart and fern.

In the fabric print, you can see hints of the red Solarfast.

And here are the finished prints. 

Mineral paper is such an interesting product.  Made with rock derived calcium carbonate and a small amount of binder, it is smooth and water resistant, so at first the cyanotype chemicals swirl all around. but at some point, while baking in the hot sun, they begin to adhere to the paper, with the leaves providing an imperfect resist. I can only partially control the process, which is why I find it endlessly fascinating.

I am also pleased with the print on cotton sateen, there's lots of subtle circular patterning and crisp leaf edges. All together it's a good start to the printmaking season.

Thanks as always for reading! You can also follow along on your platform of choice:

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