June 21, 2026

2026 Summer Solstice Pinhole Camera pics

Sue Reno_summer solstice 2026_pinhole image 1One of the fun parts of my artistic practice is making pinhole camera prints. They are incredible low-tech, consisting of photo paper sealed in a beer can, with a literal pinhole used as an aperture to let light in.
Sue Reno_summer solstice 2026_pinhole image 2Each solstice, winter and summer, I take down and process the ones from six months previous, and set up a new batch in various locations where I have a somewhat unobstructed view of the sky.
Sue Reno_summer solstice 2026_pinhole image 3Two of the things I love about this practice is the way I really have to slow down my down my expectations of when the art will be "ready", and the reminder that whatever events are transpiring here on the planet, it keeps revolving around the sun in a predictable manner.
Sue Reno_summer solstice 2026_pinhole image 4

And then, of course, there is the curious and ethereal beauty of the images, with just enough familiar elements to make sense to the brain, and enough wierdness to transport one's thoughts to a different realm.

Sue Reno_summer solstice 2026_pinhole image 5

There were a host of intense weather events in the past six months--howling ice storms, endless early spring rains--that resulted in some of the images being damaged by moisture in the cans. I was still left with these beauties. And hope springs eternal for the next batch! Enjoy.

Sue Reno_summer solstice 2026_pinhole image 6


You can pick your platform to find and follow my content, and as always, thanks for reading.





June 17, 2026

New Work - Mink and Sycamore

 I am pleased to share with you my latest work, Mink and Sycamore, part of my Flora and Fauna series.

Sue Reno_Mink and Sycamore
Mink and Sycamore

I am interested in the small mammals that make their homes near my suburban habitat in Pennsylvania. I enjoy catching glimpses of them, and am saddened but also intrigued by their eventual demise and their skeletal remains. Mink and Sycamore is the latest in a series that uses macro photos I take of the skulls, printed as cyanotypes, then combined with botanical prints from the area I observed them in. It’s a bright and somewhat cheerful momento mori.

Sue _Reno_Mink and Sycamore_detail 1
Mink and Sycamore - detail 1

Materials: artist painted and commercial cotton and silk fabrics, wool yarn

Techniques: cyanotype prints from original macro photos, leaf monoprints, patchwork, couching, stitching


Sue _Reno_Mink and Sycamore_detail 2
Mink and Sycamore - detail 2

Size: 46"h x 59"w
Sue _Reno_Mink and Sycamore_detail 3
Mink and Sycamore - detail 3



Mink and Sycamore made its debut in the current Summer Issue of Quilting Arts Magazine, as the opening image for my feature article "Pressed in Cloth - An Enduring Vision".

Sue _Reno_Mink and Sycamore_detail 4
Mink and Sycamore - detail 4

In the article, I talk about my life and long-term work as a fiber artist, and detail my tenents for the core vision that informs my work. I think artists at any and all stages of their creative journey will find it useful.

Sue _Reno_Mink and Sycamore_detail 5
Mink and Sycamore - detail 5

You can pick your platform to find and follow my content, and as always, thanks for reading.



June 16, 2026

Experiments in wet cyanotype - part 103


Sue Reno_wet canotype_image 1319
Welcome to part 103 of my experiments in wet cyanotype printmaking. I had an steamy hot day to work with, so rather than venture far I picked what was readily at hand-- some horribly invasive Japanese knotweed leaves and some lovely native boxelder twigs. This time of year the leaves are fresh and vibrant, but there are already a few bits of insect damage apparent. These are the print layouts, on cotton, after treating with cyanotype and Solarfast chemicals and before exposure.

Sue Reno_wet canotype_image 1320

I'm also back at it with the experimental prints on mineral paper. These are incredibly unpredictable and often spectacular. Here I'm using some cutleaf elderberry leaves and boxelder twigs.
Sue Reno_wet canotype_image 1321

Sue Reno_wet canotype_image 1322


Sue Reno_wet canotype_image 1323


Sue Reno_wet canotype_image 1324

Here's all the prints after exposure and before rinse out.
Sue Reno_wet canotype_image 1325

Sue Reno_wet canotype_image 1326

Those rusty brown colors on the mineral paper always rinse out, so it's fun to get a photographic record at this stage.
Sue Reno_wet canotype_image 1327

Sue Reno_wet canotype_image 1328

Sue Reno_wet canotype_image 1329

Sue Reno_wet canotype_image 1330

Here are the two finished cotton panels. There's lots of good stuff going on in these prints. At some point they will make their way into an art quilt or some other form of fiber art.
Sue Reno_wet canotype_image 1331

Sue Reno_wet canotype_image 1332

Here are the mineral paper prints. I love them so much, I feel like this batch is extra-special.
Sue Reno_wet canotype_image 1333

Sue Reno_wet canotype_image 1334

Sue Reno_wet canotype_image 1335

Sue Reno_wet canotype_image 1336

You can pick your platform to find and follow my content, and as always, thanks for reading.













June 5, 2026

Quilting Arts Interview

 I'm so happy to share this interview I recently did with Quilting Arts Magazine Editor Marcia Young. Set aside 15 minutes, grab a favorite beverage, and enjoy this glimpse into my life as a fiber artist. I think you'll find it both entertaining and useful. And look for my article in the Summer 2026 issue, available soon in your mailbox or local bookstore.


As always, you can pick your platform to find and follow my content, and as always, thanks for reading.