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Late one summer I was in the mood to celebrate the bounty, and went to the garden to harvest plants for cyanotype prints. The long print on the left side is a scarlet runner bean; top middle is seed heads from fennel; bottom middle is a volunteer cherry tomato; top right is more runner beans; and the bottom right is flat leaf Italian parsley. I echo-quilted the prints to give them some vibratory energy:
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I handpainted some fabrics to get the nice tomato reds and leaf greens I wanted, and mixed them with commercial fabrics in Seminole -style patchwork. I really enjoy the process of making Seminole strips, and it can get quite intricate, but here I kept it to simple zig-zag shapes, used to suggest rows and blocks of crops. I also worked in the suggestion of the garden paths, the stakes and the fences, and the permanent straw mulch. (I use a loosely adapted version of the mulch system advocated by Ruth Stout in her seminal "The No-Work Garden Book")
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"The Organic Garden" was exhibited in quilt shows and in Images 2007 at the Robeson Gallery, Pennsylvania State University.
4 comments:
I am in love with the tomato red and the yellow combo.
I know...I like textiles, and textures, and images and designs; but sometimes it all just comes down to color.
I'd love to eat out of this garden! The seminole patchwork adds a folky feel that seems just right for an organic plot of land.
Beautiful, beautiful,, beautiful....
Mary
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